Dear You, a blog of imagined travels by Gracia Haby, created 2013
In 2008, an occasional series developed of own accord. A series of imagined tales written on the reverse side of a handful of my postcard collages. Over the years, this has grown.
Published online, High Up in the Trees, and later bound into zine format, this project continues today. Now housed under one roof, Dear You features all postcard collages to date.
In the wings, the promise of a new zine to add to the meld, always.
To the traveller!
Begin, and may you travel well,
(Mind the sink holes!)
collective noun n in grammar, a noun that denotes a number of individuals considered as one group.
A SKULK OF FOXES AND A HUSK OF HARES
Responding to collective nouns
Gracia Haby & Louise Jennison
and Elaine Haby
A skulk of foxes and a husk of hares, a blog from 2008–2012
A quiver of arrows, a parcel of penguins, a trace of rabbits, a peal of bells, a vagary of impediments, a constellation of satellites, and a leash of greyhounds; there are more collective nouns than not to make the corners of the mouth curve upward.
A watch of nightingales, a sleuth of bears, and a charm of finches, they call up such imagery. A raft of sea otters, can you see them? Squint a little if it helps. There on the horizon, see them now? They're wearing neck scarves constructed from thin slithers of kelp. And they're making their way across the water with all the ease and grace of Venetian gondola driver.
A mischief of mice, a cache of jewels, they sound so apt, so visual, and so enchanting. Responses, be they visual or otherwise, to particular collective nouns were posted (and infrequently so). From time to time an invited guest made an appearance, responding to the collective noun in any way they chose.
And by 5pm, nine linen-covered Solander boxes, pressed and drying. Thank-you firestationprintstudio workshop attend… https://t.co/iHbokEuQlo
Halfway through the workshop is a box and hardcover started near to where i sit. there isn't any other spot quite l… https://t.co/d60LSSVdnR
On the gallery wall, ‘Encrusted in a rock’. An edition of 20, our contribution to the Australian Print Workshop’s b… https://t.co/Qwz0pl2RSm
Pad through sound as if it were a light dusting of colour pigment that changes with the flicker of notes and feel… https://t.co/oB8A2nHxof
‘A Jelly-Fish’ (1909) Marianne Moore (1887–1972) Visible, invisible, A fluctuating charm, An amber-colored amethys… https://t.co/QtWFxaSUJD