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An Introduction US > Interviews & Reviews > Gracia Haby CV > Louise Jennison CV ARTISTS' BOOKS & ZINES > Artists' Books 2012–2018 > Artists' books 2000–2011 > Zines 2019 > Zines 2015–2018 > Zines 2012–2014 > Zines 2002–2011 EXHIBITIONS & PUBLISHED > Published works > Exhibitions > Related projects > Why books? > A handmade history
Gracia & Louise
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The fourth month of the year

Recently landed: The fourth month of the year, a new post on High Up in the Trees (by Gracia)

April's instagram

April's instagram

Those everyday thingsGracia LouiseApril 19, 2013instagram
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Monstrous is misshapen

Dance/Film/ExhibitionGracia LouiseApril 22, 2013collage, dance
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Our new site gets the thumbs up

ClippingsGracia LouiseApril 18, 2013Bologna Children's Book Fair, new site
A pillow fit for a cat, by the computer. All’s well. (Today, our little #RSPCA foster cat (Shelter ID No. 912530) had a checkup to see how the nerve damage in his tail is going. It’s likely his tail will need to be amputated, but we’ll know more by the end of the week.) #home #foster #fostercat #catsofinstagram #theworkingtable
We always enjoy the challenge of creating collages to illustrate a particular tale for The Big Issue (@bigissueaustralia). And this feeling rolls over into seeing the collage printed upon the page. On Marginalia (Through a forest: http://www.graciahaby.com/home/trees), take a look at two commissions from this year, featuring both the selected collage and its companions also submitted for consideration. Here is a look at the forest we grew to accompany Raphaelle Race’s ‘Trees of Life’ about Sophie Cunningham’s City of Trees: Essays on Life, Death and the Need for a Forest. Pick up a copy of the latest issue (No. 587, available until the 30th of May). 🌱 #nature #collage #CityofTrees #TheBigIssue #ClimateCrisis
We need to preserve marine and land-based ecosystems; increase the connection between natural areas to secure the migration routes that allow for species to travel to cooler zones, and enable the congregation of larger populations needed to support genetic diversity required for phenotypic plasticity and adaptive evolution. This is what we have shoehorned into our series ‘It came like light out of the walls’, our functioning (or not) ecosystem on the page. That organisms are not static is our light (within our drawings). #WIP #collage #drawing #theworkingtable #catsofinstagram #Itcamelikelightoutofthewalls
In the park, we meet a woman out walking her elderly Great Dane named Carl. She asks if we would mind taking a photo of her and apologises for her “odd request”. She is relieved she has made it out of the house with two small toddlers and a baby strapped to her torso. They are moving as a cohesive, calm unit, and she’d like the moment captured so as to send the image to her partner. Carl obliges by going to the toilet as we take their photo of real life harmony. On Election Day, we also met a rescue dog named Alice, new to off-the-lead encounters, and we lined up behind a 4-month-old Pomeranian named Goldie. Paws and paths and light. And now we wait. #auspol #electionday #andnowwewait #theworkingtable #dogsofinstagram #Itcamelikelightoutofthewalls
All delivered, safe and sound, one ‘Ripples in the Open, toy scale’. Make yourself tiny and climb into it at the 49th St Kevin’s College Art Show 2019 (@skc.artshow). The exhibition runs from the 25th to 27th of May, KC Smith Hall, Moonga Road, St Kevin’s College Toorak. #nature #collage #exhibition #inmyhand #RipplesintheOpen
Happy to see our collage created especially for Sophie Cunningham’s City of Trees: Essays on Life, Death and the Need for a Forest (‘Trees of Life’ by Raphaelle Race, p. 30) in the current edition of The Big Issue (17–30 May, 2019, No. 587), with Greta Thurnberg on the cover. We heartily recommend you grab a copy of both book and magazine. 🌳🔥 #trees #nature #collage #walking #CityofTrees #climatecrisis
On #theworkingtable, another walrus appears, and we are one away from reaching double digits. Our fifteen-panelled collaged drawing is growing, and we’ll not know how it looks altogether until it is ready to install. But we have a map, and we’re yet to encounter a wrinkle (in our plan) we couldn’t smooth. #WIP #collage #drawing #watercolour #Itcamelikelightoutofthewalls
Five years ago. Lenni. Darker ear-tips. Squinting. 🍂 #WIP #collage #theworkingtable #catsofinstagram #Itcamelikelightoutofthewalls
Delighted to discover we share an admiration for the work of Natalia Goncharova and undulating tentacles with Sebastian Blue Pin. “I am studying costume with Royal Opera House and making a replica of Goncharova’s 1916 Sadko Squid costume at present. Just discovered your MARVELOUS collage of the dress with the fruit bat. WONDERFUL! So glad we both are championing this wonderful costume! +++” Here is Sebastian Blue Pin’s own Costume for a Squid, after Natalia Goncharova, of hand-dyed and painted silks, goldwork Russian braid, 20s goldwork ribbon, gold foil heat-pressed linen and wire. (Thank-you for sharing your beautiful work with us, Sebastian Blue Pin.) 🦑 Natalia Goncharova Costume for a Squid c.1916 “Sergei Diaghilev’s Les Ballets Russes presented the underwater ballet segment of Nikolai Rimsky-Korsakov’s 1898 fairytale opera #Sadko in New York in 1916, with designs for costumes by the Russian artist and designer #NataliaGoncharova and scenery designed by Boris Anisfeld. Goncharova imagined vivid marine creatures, such as the seahorse and the squid characters for this epic Russian #folk poem set in Novgorod, Russia, in which Sadko, an impoverished musician, leaves his wife in search of his fortune. He plays his guslei by the shores of Lake Ilmen, captivating Princess Volkova, the youngest daughter of the King of the Sea. Following the spectacle of their wedding, attended by monsters of the deep and fantastic #sea creatures, Sadko returns to his wife in Novgorod and the Princess is transformed into the Volkova River. This #BalletsRusses dance interpretation of the story was based on the sixth scene of the opera, The kingdom under the sea, focusing of the festivities of Sadko and Volkova’s wedding. Goncharova’s knowledge and love of Russian folk dress can be seen in her design of these costumes and in the shape of the headdresses for the marine characters.” From: Collection highlights: National Gallery of Australia, National Gallery of Australia, Canberra, 2014 #costume #SalvagedRelatives
Charmed by the woof-woof and paddle-paddle of ‘Dog’ (1909, brass sheet; Calder Foundation, New York Mary Calder Rower Bequest, 2011) and ‘Duck’ (1909, brass sheet, Calder Foundation, New York Mary Calder Rower Bequest, 2011) at ‘Alexander Calder: Radical Inventor’, at @ngvmelbourne with @peterhaby and @pasadenamansions for a lovely kinetic Mother’s Day. (Happy Mother’s Day, Mum. 💕) “An eleven-year-old Calder presented his parents with these small #sculptures as Christmas gifts in 1909. The ingenious fashioning of three-dimensional forms from a flat sheet of brass suggests a kind of prodigy, and foreshadow Calder’s unique spatial and visual thinking. Contours are cut flat in a continuous line, much like a sewing pattern, achieving uncanny resemblances to the actual #animals with wit and #imagination. With a few simple bends, the dog stands on point with nose forward, ear and tail up and out. Likewise, with two neat folds, semicircles form the head and body of a duck. The duck is #kinetic, rocking back and forth when tapped.” — #NGVCalder (Additional images: André Kertész, ‘Alexander Calder with His Circus, Paris, 1929’, printed ca. 1960, gelatin silver print, Detroit Institute of Arts Museum; ‘Rigoulot, the Strong Man, Weight Lifter’, Alexander Calder (1898–1976), Whitney Museum of American Art, New York, by Sheldan C. Collins, from Calder’s Circus (1926–1931); ‘Equestrian act from Cirque Calder (1926–1931)’, 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York)
On the horizon, near and far, and all in the span of a morning. We collected 20 pieces of plastic rubbish to put in the bin, but made little dint. #earlier #rescuedog #onthebeach #thisisautumn #dogsofinstagram
“In Algonquin indigenous folklore, a windigo or wendigo is an evil spirit native to the northern forest, but it also stands for something else: “Windigo is capitalism and greed for the land. And for me that felt like a pertinent concept—not just in the North”.” — Lara Kramer, ArtsFile windigo | ˈwɪndɪɡəʊ | (also wendigo) noun (plural windigos or windigoes) a person who has been transformed into a monster by the consumption of human flesh. a person who has been transformed into a monster by the consumption of greed for the land. “Returning to her grandmother’s home in the Lac Seul Reserve in northwestern Ontario (Treaty 3), the Canadian choreographer of Cree and Ojibwe heritage, Lara Kramer, confronts a latent war lurking beneath the surface. A northern epic with the air of a post-apocalyptic ballad, ‘Windigo’ exorcises the demons and undercurrents of the violence perpetrated against First Nation peoples on Turtle Island…. sowing the seeds of hope in the midst of overwhelming devastation.” — Dancehouse (@dancehouse.melb) in partnership with YIRRAMBOI First Nations Festival (@yirramboi) presents Lara Kramer’s ‘Windigo’ Image credit: photograph by Frederic Chais #Windigo #Yirramboi #LaraKramer #FjordReview #Dancehouse
Land and sea and meeting points. In motion, upon drawing boards and tabletops. A continuous landscape, under our noses (and paws). In flux. Snip. Glue. Smooth. “Place is change. It is motion”, wrote JA Baker, author of The Peregrine. #WIP #collage #watercolour #catsofinstagram #Itcamelikelightoutofthewalls
One landscape becomes another. #RipplesintheOpen, in the process of growing into a new series of drawings. And autumn light. #WIP #light #collage #watercolour #theworkingtable #Itcamelikelightoutofthewalls
In with the bright and new; for seamless ‘browse, click, enjoy’. Shopfront: http://www.graciahaby.com/home/shop (A new post on Marginalia.) All six zines launched this year at Sticky Institute’s Festival of the Photocopier and the NGV Melbourne Art Book Fair can now be purchased direct through our site. We hope you enjoy combing through our recently polished site. Additional images: 1971, 1935, and 1958 shop windows, Budapest, Hungary #shop #zines #onlinestore #inthewindow #ingloriousblackandwhite
GRACIA & LOUISE
hi@gracialouise.com
News
May 18, 2019
Through a forest
May 18, 2019
May 18, 2019
May 17, 2019
Trees of Life for The Big Issue
May 17, 2019
May 17, 2019
May 16, 2019
Divides and reassembles
May 16, 2019
May 16, 2019
May 15, 2019
Windigo
May 15, 2019
May 15, 2019
May 6, 2019
Shopfront
May 6, 2019
May 6, 2019
Apr 15, 2019
Imprint: A Survey of the Print Council of Australia
Apr 15, 2019
Apr 15, 2019
“A series of images are performed”
Mar 31, 2019
“A series of images are performed”
Mar 31, 2019
Mar 31, 2019
Mar 28, 2019
“A Certain Slant of Sunlight”
Mar 28, 2019
Mar 28, 2019
Mar 28, 2019
Dark Night
Mar 28, 2019
Mar 28, 2019
Mar 27, 2019
“I am remembered; remember me.”
Mar 27, 2019
Mar 27, 2019
Mar 26, 2019
“4 Signs Your Heart is Quietly Falling You”
Mar 26, 2019
Mar 26, 2019
Mar 26, 2019
Distant Sky
Mar 26, 2019
Mar 26, 2019
Mar 23, 2019
Lady Example
Mar 23, 2019
Mar 23, 2019
Mar 22, 2019
“I help you to make your own world visible”
Mar 22, 2019
Mar 22, 2019
Mar 16, 2019
Make Your Own World
Mar 16, 2019
Mar 16, 2019
Mar 11, 2019
New titles for the Melbourne Art Book Fair
Mar 11, 2019
Mar 11, 2019
Mar 10, 2019
The Big Issue
Mar 10, 2019
Mar 10, 2019
Feb 22, 2019
Whirr and chime
Feb 22, 2019
Feb 22, 2019
 
 
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