Recently landed: Field Notes, Gracia's written response for Fjord Review
Establishing who is a performer and who is actually walking home or on a grocery dash (or crashing the party with their Jack Russell) was a chief part of the playfulness of this piece. Asked to look closely at the obvious and the less obvious, it became a game of ‘spot the performer’ that actually made everyone within frame a part of the work. The mother and toddler that rested under the tree near the corner — were they a part of the piece, like the woman in the red scarf seen purchasing a parking ticket? The joggers too — that was orchestrated, right? My imaginary cast sheet for Depth of Field includes the motorists on the freeway, more than likely oblivious to the work they were a part of. Their credit: moving tail light providers. It also includes commuters on the tram. Their credit: neck ‘crickers’. And a windblown plastic bag seen rising and settling in own reenactment of a scene from Sam Mendes’s film American Beauty (1999).