The Body Politic

Recently landed: The Body Politic, Gracia's written response for Fjord Review

Seated in my own 'best seat', frankness, humility, humour, experimentation and a willingness to question link for me Kate Champion's Nothing to Lose, Rawcus' Catalogue, and Nat Cursio's Tiny Slopes (a work in development presented in association with Malthouse Theatre). Three performances seen recently as part of Dance Massive 2015 that, in liberal interpretation of John Cage’s words to suit my own form, have asked me to 'pay attention to what is, just as it is.'

In doing so, I was appreciative of the intimacy and trust that the performers in all three works placed in me as I sat in the audience. Though different in their approach and finish, I responded to their candour. From
Catalogue's invitation to create my own composition with the material presented to Champion and Kelli Jean Drinkwater's exploration of the movement vocabulary of larger bodies, which owing to its very nature cannot dodge body politics, I remain grateful for the questions posed. Whether they were answered or not, either during the performance or in quiet reflection in the days that followed, to me they remained open to experimentation with a good dollop of play.

Nothing to Lose, as part of Dance Massive 2015 (Image credit: Toby Burrows)