No rest for the wilis

Recently landed: No rest for the wilis, Gracia's written response for Fjord Review

In light of Eastoe’s announcement to retire now forever netted to Giselle’s spectral maidens, I like to think I saw an extra flicker of considered clemency in Hendricks’ beguiling and truly imposing Queen, as Eastoe entreated her to spare Jackson. It was present in Jackson’s aching tenderness, a twice-laced awareness of something wonderful coming to a close. This recognition was poured into and made a part of the ghostly Wilis/corps as they were forced with backs turned to listen but not see Eastoe and Jackson’s pleading duet that felt as if it had always been, and hoped would always continue to be. It was present in former Principal Artist, and one of the great Giselle’s, Bolte’s heartfelt consoling of Giselle/Eastoe as she unwove her hair, in "a lovely full circle". And it was there as Juliet Burnett, as one of Giselle’s Friends, clasped her hands to her face in show of shared grief during the famous mad scene.

Such beguilement by moonlight! Keep the dawn at bay! Under a fine gossamer veil, in bid to savor the ‘ballet-fantastique’, it is there that I choose to stay.

Madeleine Eastoe and Kevin Jackson in Giselle (Image credit: Jeff Busby)