Double-Cross

Recently landed: Double-Cross, Gracia's written response for Fjord Review

(Outside in the city, at night, briefly. Opening credits begin. Extended tracking shot. A man marches purposefully into the San Francisco Police Department. I follow the back of his suited form. A disinterested Police Office leaning against a column directs him down a second long corridor. At 1 minute and 40 seconds, the music (evocative of striding) fades. Our Sympathetic Everyman (whom I’ve been tailing with the camera) reaches his destination, 44 Homicide Division, and enters.)
— Can I help you?
I’d like to see the man in charge.
— He’s in here.
(Shown into an office. Note: the standard fan atop a filing cabinet and a small desk lamp casting strong shadows. Decipher: I am in film noir territory, the land of the gumshoe private investigator who is always two steps ahead of the cops.)
I want to report a murder.
— Sit down.
(Slumps into chair.)
— Where was this murder committed?
San Francisco, last night.
Who was murdered?
(Long pause.)
I was.
(Close up. I see our Everyman’s face for the first time. Loose necktie. Five o’clock shadow. Crumpled appearance.)
Well… do you want to hear me out or don’t you Captain, I don’t have very much time.
— Your name Bigelow, Frank Bigelow?
(Long eye blink.)
That’s right.*

Motion Picture, as part of Dance Massive 2015 (Image credit: Sarah Walker)