'To feel' is where it all begins. It is the thread that binds Choreographer and Artistic Director Rafael Bonachela’s premiere work Frame of Mind to William Forsythe’s Quintett, a so-honest-it-hurts love letter to his dying wife.
Presented side by side, both works, uniquely tender in their fragility, give a physical framework to heartache. Born from the tight knot of personal experience, both works spiral outward and give expression to longing and vulnerability. To be entrusted with something deeply personal yet universal, raw yet understated, is a rare gift.
Opening with Forsythe’s Quintett, which premiered in Frankfurt, Germany, in 1993, it is shown through action and heard through repeated stanza, that a state of longing and a kernel of hope can appear temporarily fixed. And so for 26 beautiful minutes, I found myself suspended within a constant sensory loop as an elderly man sang a simple refrain: Jesus’ Blood Never Failed Me Yet.