Recently landed: Walking on Clouds, Gracia's written response to Chunky Move's Anti-Gravity, Nat Cursio's Tiny Slopes, and Lucy Guerin's Split, three performances presented as part of Dance Massive, for Fjord Review
The Bureau of Meteorology La Trobe St. Weather Station, near to the Carlton Gardens, has always intrigued me. A triangular wedge of fenced-off green on the city’s fringe, it looks like an art installation or a performance space. With a tiny garden shed, and unfamiliar equipment to measure climatic changes and patterns neatly dotted and connected by pathways, it is not so unlike the world Chunky Move’s Anouk van Dijk and Singaporean artist and filmmaker, Ho Tzu Nyen, have set up for their collaborative work, Anti-Gravity.
Presented as part of the Asia Pacific Triennial of Performing Arts and Dance Massive 2017, the stage is an ordered maze of forms that are familiar but whose role is ambiguous. The business of forecasting sounds and looks poetic, but it is serious stuff. Wind measurements, temperature, humidity, and precipitation are all recorded by tiny, unassuming sculptures that appear in need only of an artists’ statement. Working with clouds has the air of romance, to me, and in literature, dance, and art too, but I suspect that it is the data not the tools and their subjects that must interest those who chart meteorological quantities.