Lady Example

Recently landed: Lady Example, Gracia's written response to Alice Dixon, William McBride and Caroline Meaden's work presented by Arts House, as part of Dance Massive 2019, for Fjord Review

“Women of the world, take over, because if you don’t the world will come to an end and we haven’t got long.”

I am looking up a YouTube video of Ivor Cutler’s single ‘Women of the World’ from 1983, recorded with Linda Hirst through Rough Trade Records. Google’s Ad Rank Algorithm complements the experience, while revealing my search history, and now a physiotherapy advertisement appears poetic.

Floating in a ‘click-me’ image box, a photo of an extended leg, shown from the knee down, rests on what appears to be a couch or some form of bedding. In the background of this modern day chiaroscuro composition, an open cat carrier sits. Its small blue door is ajar, but no cat to be seen. The mood: everyday dismal. The illuminated leg occupies most of the frame: barefoot, yellowed big toenail. Around the ankle, a red ring from where a tight sock has cut into the flesh. Not breaking the skin, just too tight. Uncomfortably tight. Beneath this image, the poem, ‘4 Signs Your Heart is Quietly Failing You’. I have also been searching/finding/reading Anne Carson’s woe and odds and phosphorescent-by-lamplight chalk foxes, which Alice Dixon, William McBride, and Caroline Meaden feel convey what it is to be alive in this “heartbroken little era”. I have been swimming in the words that pool together photographs of refugees “pressed flat against one another” and mushroom collecting with John Cage by way of an ordinary lakeside dip. And it is all in there, the poetry and Google searches, the typing in caps lock, bold. The tragic and the everyday. The signs your heart is quietly failing you. All of this and more poured into
Lady Example, presented by Arts House as part of Dance Massive 2019.

Alice Dixon, William McBride, and Caroline Meaden’s Lady Example (image credit: Mischa Baka)