Posts tagged Château de la Malmaison
Keep an eye on

Recently landed: Keep an eye on, a new article on Marginalia (by Gracia) introduces you to the prints within our current exhibition

Gracia Haby & Louise Jennison, Not a royal residence but a garrison fortress, lithograph with hand-colouring. Image drawn directly on to the lithographic plates by the Artists and processed, proofed and printed in three colours from three plates, by APW Printer Martin King and hand-coloured by the Artists, at Australian Print Workshop, Melbourne, 2019.

In the museum

Recently landed: In the museum, a new article on Marginalia (by Gracia) introduces you to the specimens within Through a glass eye

(This work was produced with APW Printers at Australian Print Workshop, Melbourne, as part of Australian Print Workshop’s French Connections project curated by APW Director Anne Virgo OAM)

In the direction that one is facing

Recently landed: In the direction that one is facing, a new article on Marginalia (by Gracia) takes a look at a suite of prints currently being created as part of French Connections

French Connections process at the Australian Print Workshop

In Josephine’s garden, in search of black swans

Recently landed: In Josephine’s garden, in search of black swans, a new article on Marginalia (by Gracia), part 3, takes a closer look at a recent study tour to Paris as part of a project with the Australian Print Workshop and the National Gallery of Australia

Whether before Josephine’s le cygne noir at Malmaison or in the reading room at the Louvre , one crouches for a closer look, iPhone or magnifying lens in hand, and listens to the floorboards creak as one pads across the room, presence detected

Whether before Josephine’s le cygne noir at Malmaison or in the reading room at the Louvre, one crouches for a closer look, iPhone or magnifying lens in hand, and listens to the floorboards creak as one pads across the room, presence detected