Posts tagged Gracia Haby
Sights Unseen: Recent Acquisitions from the Moreland Art Collection

We are delighted that our artists’ book, Salvaged Relatives, edition III will be on display.

In recent years the Moreland Art Collection has experienced significant gains through purchases, commissions and a marked increase in the receipt of philanthropic donations.

Sights Unseen: Recent Acquisitions from the Moreland Art Collection draws together artworks held by the municipality not previously exhibited at the Counihan Gallery In Brunswick.

Comprising photography, painting, drawing, prints, collage, artists books and mixed media the artworks reflect a diverse range of contemporary practice as well as some fascinating historical offerings — a trove of cultural heritage for the City of Moreland.

Charles Blackman, Trevor ‘Turbo’ Brown, Noel Counihan, Julian Di Martino, Gabrielle de Vietri, Rennie Ellis, Helga Groves, Gracia Haby & Louise Jennison, Joy Hester, Deanna Hitti, Janelle Low, Kirsten Lyttle, Jordan Marani, Jill Orr, Louise Paramour, Wolfgang Sievers, Shaun Tan, Stephanie Valentin, Stephen Wickham, James Wigley

Sights Unseen: Recent Acquisitions from the Moreland Art Collection

Saturday 27th July – Sunday 18th August, 2019
Counihan Gallery In Brunswick
233 Sydney Road, Brunswick

Gracia Haby & Louise Jennison
Salvaged Relatives, edition III
Artists’ book, unique state, featuring 21 individual collages on cabinet cards with pencil and paint additions (by Gracia Haby)
Housed in a three-colour cloth Solander box (by Louise Jennison) with inlaid collage, In the borrowed costume of a Polovtsian warrior (Prince Igor c. 1909–37)

Other Worlds 2019 Short story competition

Our print, And Zarafa Kept Walking, from 2013 is one of two artworks you can write or recite a story in response to, as part of the Other Worlds: 2019 Short story competition. Entries close Sunday the 21st of July, 2019.

Moreland City Libraries’ Short story competition

Writers of all ages are welcome to enter Moreland City Libraries’ Other Worlds 2019 Short story competition. Your story can be written in 500 words (or less) OR recited in 5 minutes (or less)

To enter, complete a Short story competition entry form (PDF 1Mb) or obtain one from your local library.
Moreland City Council
Moreland City Libraries

Gracia Haby & Louise Jennison,   And Zarafa Kept Walking  , 2013, four-colour lithographic offset print on Fabriano Artistico 300gsm traditional white hot-press paper, 33cm X 23cm

Gracia Haby & Louise Jennison, And Zarafa Kept Walking, 2013, four-colour lithographic offset print on Fabriano Artistico 300gsm traditional white hot-press paper, 33cm X 23cm

Light and Shade

Recently landed: Light and Shade, Gracia’s written response to LAC presented by The Australian Ballet, for Fjord Review

A bevy of black swans circled our car parked near to the lake’s edge. It was my first encounter with a black swan, nose to beak, separated only by a wind-up wind-down window pane. I would have been no taller than one of the swans, had I’ve been out of the car. I remember feeling awestruck by their scale, their very presence. And yet as I was four-years-of-age, or thereabouts, is this a later addition stitched to a memory derived from family folklore? My Mum recalled one of the swans hopped up on the car’s bonnet, but wonders now if such a spectacle is likely. A small car buried beneath a mountain of feathered bodies, it is almost a cartoon image — better yet, a cinematic one — when viewed from a human perspective. In territorial union to our intrusion, the swans rallied, and looped for me a definitive impression of swans, lakes, and Tchaikovsky.

The swans of my memory and family folklore were not so unlike the hissing, awe-inspiring Chimeras within Jean-Christophe Maillot’s
LAC, a modern telling of Swan Lake, performed with attack by the renowned Ballets de Monte-Carlo. Imposing, glorious, memorable.

LAC, Maillot, together with writer Jean Rouaud, resurrected “these buried experiences”, albeit against a more “Machiavellian, family backdrop …. to present a ballet of contrasts. The change from animal into human being infuse[d] the entire work and question[ed] our own nature. We believe that we differ from animals because of our ability to make choices. But is this all we are capable of? …. Perhaps our humanity ultimately lies in this unsophisticated insatiability that defines us from our first cry — We want everything!”

Les Ballets de Monte-Carlo in LAC by Jean-Christophe Maillot (image credit: Alice Blangero)

Like Light

Recently landed: Like Light, a new article on Marginalia (by Gracia) looks at the installation process of It came like light out of the walls

Cutting into the vinyl pieces and making them into something new was even more enjoyable than we’d expected it to be. We had followed a plan for the top peaks and bottom pools, and allowed our scissors to glide in the middle. And we’ll do it again with what remains. We are so glad we had the chance to make this piece, to reinvent the original printing of Ripples in the Open.

File under ‘Eye’

Recently landed: File under ‘Eye’, a new article on Marginalia (by Gracia) takes you on a virtual tour of Through a glass eye at the Australian Print Workshop

Gracia Haby & Louise Jennison, Through a glass eye, at the Australian Print Workshop until Saturday the 29th of June, 2019 (image credit: Tim Gresham)
(This work was produced with APW Printers at Australian Print Workshop, Melbourne, as part of Australian Print Workshop’s French Connections project curated by APW Director Anne Virgo OAM)

Keep an eye on

Recently landed: Keep an eye on, a new article on Marginalia (by Gracia) introduces you to the prints within our current exhibition

Gracia Haby & Louise Jennison, Not a royal residence but a garrison fortress, lithograph with hand-colouring. Image drawn directly on to the lithographic plates by the Artists and processed, proofed and printed in three colours from three plates, by APW Printer Martin King and hand-coloured by the Artists, at Australian Print Workshop, Melbourne, 2019.