Posts tagged Martin Bell
In the museum

Recently landed: In the museum, a new article on Marginalia (by Gracia) introduces you to the specimens within Through a glass eye

(This work was produced with APW Printers at Australian Print Workshop, Melbourne, as part of Australian Print Workshop’s French Connections project curated by APW Director Anne Virgo OAM)

Through a glass eye

We are delighted to invite you to our exhibition Through a glass eye at the Australian Print Workshop. If you are free and curious to see this work with your own eyes, we’d love to see you at the opening.

APW President Joe Connor & APW Director Anne Virgo OAM invite you to the first exhibition of APW’s French Connections project

Australian Print Workshop is proud to present the results of a major international project French Connections, curated by APW Director Anne Virgo OAM, planned in collaboration with the National Gallery of Australia and made possible by the generous support of The Collie Print Trust.

Four leading contemporary Australian artists, Martin Bell, Megan Cope, Gracia Haby & Louise Jennison joined APW on an ambitious research trip to Paris (May 2018), to explore French Connections with our region — with a particular emphasis on the interplay of natural history, the history of science, empire, art and anthropology relating to early French exploration of Australia and the Pacific, as well as other French/Australian connections.

APW and the Artists’ privileged access to study rarely seen and highly significant collections in leading museums has informed and inspired the production of an exciting new body of work in the print medium. This is the first of a series of French Connections exhibitions at APW Gallery.


Opening
2 pm – 4 pm
Saturday 1st of June, 2019

The exhibition runs until Saturday the 29th of June, 2019.

Australian Print Workshop
210 Gertrude Street, Fitzroy
Tuesday to Saturday 10 am – 5 pm

#FrenchConnectionsAPW

Gracia Haby & Louise Jennison, At the Musée Fragonard d’Alfort, etching with hand-colouring. Image drawn directly on to the copper plate by the Artists and processed, proofed and printed in an edition of 20 (plus proofs), in three colours from one plate, by APW Printer Martin King and hand-coloured by the Artists, at Australian Print Workshop, Melbourne, 2019.