Posts tagged collection
File under ‘Eye’

Recently landed: File under ‘Eye’, a new article on Marginalia (by Gracia) takes you on a virtual tour of Through a glass eye at the Australian Print Workshop

Gracia Haby & Louise Jennison, Through a glass eye, at the Australian Print Workshop until Saturday the 29th of June, 2019 (image credit: Tim Gresham)
(This work was produced with APW Printers at Australian Print Workshop, Melbourne, as part of Australian Print Workshop’s French Connections project curated by APW Director Anne Virgo OAM)

Nineteen: a compilation box of zines, 2017 – 2018

A limited edition compilation set of all our recent zines, one atop the other, from the largest to the smallest, to make a happy squeeze.

As with previous sets, each box set contains the first of each zine edition released within that time frame. Housed in giant matchboxes featuring our recent collaged landscape, Ripples in the Open, editions are in the process of being delivered to the collections of Melbourne University Library, National Library of Australia, and State Library Victoria.

From 2017
Dove, love, wash
Here, there
Duck in, duck out
Flippered and flightless
Round, circle, dot
Take a lesson from the ground
Seasonal museum sketches (autumn)
It was a familiar pattern

From 2018
Your gelatine silver print, in the shape of the full moon
Paw Pad Path
I think all the world is falling
No longer six feet under
Disrupted and rumpled
Dim wood, spark bright
A warmed pebble in my hand

We have two more sets left, if you are interested. Please contact us to find out more.

Nineteen: a compilation box of zines, 2017 – 2018, in process

Focus on the Collection: Gracia Haby & Louise Jennison

Based in Melbourne, we work from home. And more often than not, we collaborate with each other. We rather fell into collaboration, many years ago now, and it is one based on harmony. To date, we have made 99 artists’ book titles and 127 zine titles.

We decided early on in our collaboration, through an organic process, not to polish the same skills. We naturally lent towards different things and now bring those different things together to make one work not possible without the other. Working this way, a third work is made that belongs to us both.

The two of us have been fans of the book for a long time now, and it is perhaps because no work is ever as you’d imagined or saw in your mind’s eye, that we keep working with books. Every step, every part of the process, every learning curve, holds us entranced. We love the challenge artists’ books present, the possibilities and history they hold, and the intimacy they can awaken in the reader. The flexible medium of the book holds us in its palm rather than us holding the book in our own palms. In the beginning, the medium of the artists' book seemed, to us, to be free of rules and regulations. It also presented many new things to consider, from page layout and sequence to typographical decisions, and such things we tossed in the air and arranged upon their landing. Working together has meant we were able to figure out the particulars through trial and error, and groundwork.

You can see an exhibition of our artists’ books at Artspace Mackay until the 3rd of February, 2019.

Focus on the Collection: Gracia Haby & Louise Jennison
Foyer Gallery
Artspace Mackay
Civic Centre Precinct, Gordon Street, Mackay, Queensland

The exhibition is drawn from the Mackay Regional Council collection, and it includes
Find your place, 2007
Small collection, 2008
Postcards from... a key to make your own world visible, 2009
A vagary of impediments & a sneak of weasels, 2009
Tumble & fall, 2009
This evening, however, I am thinking of things past, 2009
Closer to natural, 2016
Prattle, scoop, trembling: a flutter of Australian birds, 2016
Paw Pad Path, 2018

Gracia Haby & Louise Jennison, Paw Pad Path, 2018, artists’ book

World of the book

Happy to chance across three of our zines from 2010, A folded drawing of a Sulphur-crested cockatoo, Views in my pocket, and We are dreaming of the sea, on display at State Library Victoria as part of their permanent exhibition, World of the book.

To define a zine is to delve into the do-it-yourself culture of self-publishing and self-expression. The term ‘zine’ originated in the science-fiction ‘fanzines’ of the 1930s, and now encompasses any non-commercial, non-professional, short-run publication that seeks to be defined as a zine. They can be traded, sold, gifted or collected, while remaining ephemeral at the same time. The Library has over 15,000 zines, making it the largest public collection in Australia.

Assorted zines from multiple authors, from the library’s Rare Books Collection

Assorted zines from multiple authors, from the library’s Rare Books Collection

Looped opens in the Dome, State Library Victoria blog

Looped opens in the Dome
State Library Victoria blog
The Dome was already one of the most beautiful rooms in Melbourne and now it’s even more so. Looped: artist books in the round, our new display by artists Gracia Haby and Louise Jennison, opened on 4 August in the La Trobe Reading Room. Gracia and Louise have turned the cabinet cases around the Reading Room’s dais into pages in a story. They’ve created five artist books that, through collage and the written word, tell a complete tale. It’ll be on display in the La Trobe Reading Room until 26 November. To celebrate the display, Gracia and Louise took over our Instagram account on 4 August to introduce themselves and share their work.

Installing Looped in the La Trobe Reading Room, SLV, early in the morning