Posts tagged lithography
Other Worlds 2019 Short story competition

Our print, And Zarafa Kept Walking, from 2013 is one of two artworks you can write or recite a story in response to, as part of the Other Worlds: 2019 Short story competition. Entries close Sunday the 21st of July, 2019.

Moreland City Libraries’ Short story competition

Writers of all ages are welcome to enter Moreland City Libraries’ Other Worlds 2019 Short story competition. Your story can be written in 500 words (or less) OR recited in 5 minutes (or less)

To enter, complete a Short story competition entry form (PDF 1Mb) or obtain one from your local library.
Contact
Moreland City Council
Moreland City Libraries
readmore@moreland.vic.gov.au

Gracia Haby & Louise Jennison,   And Zarafa Kept Walking  , 2013, four-colour lithographic offset print on Fabriano Artistico 300gsm traditional white hot-press paper, 33cm X 23cm

Gracia Haby & Louise Jennison, And Zarafa Kept Walking, 2013, four-colour lithographic offset print on Fabriano Artistico 300gsm traditional white hot-press paper, 33cm X 23cm

File under ‘Eye’

Recently landed: File under ‘Eye’, a new article on Marginalia (by Gracia) takes you on a virtual tour of Through a glass eye at the Australian Print Workshop

Gracia Haby & Louise Jennison, Through a glass eye, at the Australian Print Workshop until Saturday the 29th of June, 2019 (image credit: Tim Gresham)
(This work was produced with APW Printers at Australian Print Workshop, Melbourne, as part of Australian Print Workshop’s French Connections project curated by APW Director Anne Virgo OAM)

Keep an eye on

Recently landed: Keep an eye on, a new article on Marginalia (by Gracia) introduces you to the prints within our current exhibition

Gracia Haby & Louise Jennison, Not a royal residence but a garrison fortress, lithograph with hand-colouring. Image drawn directly on to the lithographic plates by the Artists and processed, proofed and printed in three colours from three plates, by APW Printer Martin King and hand-coloured by the Artists, at Australian Print Workshop, Melbourne, 2019.

In the museum

Recently landed: In the museum, a new article on Marginalia (by Gracia) introduces you to the specimens within Through a glass eye

(This work was produced with APW Printers at Australian Print Workshop, Melbourne, as part of Australian Print Workshop’s French Connections project curated by APW Director Anne Virgo OAM)

Watercolour and pencil, blue, green, more

Recently landed: Watercolour and pencil, blue, green, more, a new article on Marginalia (by Gracia) looks at the hand-colouring process of our Through a glass eye prints, created as part of the Australian Print Workshop’s French Connections project

(This work was produced with APW Printers at Australian Print Workshop, Melbourne, as part of Australian Print Workshop’s French Connections project curated by APW Director Anne Virgo OAM)

Through a glass eye

We are delighted to invite you to our exhibition Through a glass eye at the Australian Print Workshop. If you are free and curious to see this work with your own eyes, we’d love to see you at the opening.

APW President Joe Connor & APW Director Anne Virgo OAM invite you to the first exhibition of APW’s French Connections project

Australian Print Workshop is proud to present the results of a major international project French Connections, curated by APW Director Anne Virgo OAM, planned in collaboration with the National Gallery of Australia and made possible by the generous support of The Collie Print Trust.

Four leading contemporary Australian artists, Martin Bell, Megan Cope, Gracia Haby & Louise Jennison joined APW on an ambitious research trip to Paris (May 2018), to explore French Connections with our region — with a particular emphasis on the interplay of natural history, the history of science, empire, art and anthropology relating to early French exploration of Australia and the Pacific, as well as other French/Australian connections.

APW and the Artists’ privileged access to study rarely seen and highly significant collections in leading museums has informed and inspired the production of an exciting new body of work in the print medium. This is the first of a series of French Connections exhibitions at APW Gallery.


Opening
2 pm – 4 pm
Saturday 1st of June, 2019

The exhibition runs until Saturday the 29th of June, 2019.

Australian Print Workshop
210 Gertrude Street, Fitzroy
Tuesday to Saturday 10 am – 5 pm

#FrenchConnectionsAPW

Gracia Haby & Louise Jennison, At the Musée Fragonard d’Alfort, etching with hand-colouring. Image drawn directly on to the copper plate by the Artists and processed, proofed and printed in an edition of 20 (plus proofs), in three colours from one plate, by APW Printer Martin King and hand-coloured by the Artists, at Australian Print Workshop, Melbourne, 2019.

In the direction that one is facing

Recently landed: In the direction that one is facing, a new article on Marginalia (by Gracia) takes a look at a suite of prints currently being created as part of French Connections

French Connections process at the Australian Print Workshop