Posts tagged printmaking
Keep an eye on

Recently landed: Keep an eye on, a new article on Marginalia (by Gracia) introduces you to the prints within our current exhibition

Gracia Haby & Louise Jennison, Not a royal residence but a garrison fortress, lithograph with hand-colouring. Image drawn directly on to the lithographic plates by the Artists and processed, proofed and printed in three colours from three plates, by APW Printer Martin King and hand-coloured by the Artists, at Australian Print Workshop, Melbourne, 2019.

French Connections, rewound

In May this year, French Connections commenced with a two-week study tour of Paris.

French Connections is part of an international project instigated and led by Anne Virgo OAM, Director of Australian Print Workshop, which aims to generate a significant body of work in the print medium.

We were thrilled to be invited, alongside two other artists, Martin Bell and Megan Cope, and now that we have returned, we are keen to make new work inspired by all the incredible material we saw, collections we explored, and places we scampered through. 

But before we do, rewind to see the story so far,
French Connections, part 1
French Connections, part 2
French Connections, part 3
French Connections, part 4
French Connections, part 5
French Connections, part 6
French Connections, part 7

Inspired by the theories of the 'state of nature' expounded by Jean-Jacques Rousseau, La Hameau de la Reine was built between 1783 and 1786, under the supervision of Richard Mique, and drew influence from the traditional rustic architecture of Normandy, replete with a decorative windmill, dovecote, and dairy

Inspired by the theories of the 'state of nature' expounded by Jean-Jacques Rousseau, La Hameau de la Reine was built between 1783 and 1786, under the supervision of Richard Mique, and drew influence from the traditional rustic architecture of Normandy, replete with a decorative windmill, dovecote, and dairy

Tracing the Line

Our two prints, Giving libation to John Singer Sargent’s dead bird study of 1878 (limestone and rose) and Giving libation to John Singer Sargent’s dead bird study of 1878 (limestone and gold), are currently on display at Port Jackson Press Print Gallery as part of their winter group exhibition, Tracing the Line in Australian Contemporary Printmaking.

Tracing the Line is on until the 27th of August, 2017.

Port Jackson Press Print Gallery
84 Smith Street
Collingwood

gracialouise_PortJacksonPress02.jpg
Wrap Up

Louise's two lemonwood engravings, Sea otter (2015) and Snow leopard (2015) will be exhibited as part of the group exhibition, Wrap Up, at Port Jackson Press Print Gallery.

Wrap Up
Port Jackson Press Print Gallery
84 Smith Street, Collingwood, Victoria
Wednesday 25th of November – Wednesday 23rd of December

Delivering a suite of   Snow leopards   and   Sea otters   to the gallery

Delivering a suite of Snow leopards and Sea otters to the gallery

Fruits of the working table

Recently landed: Fruits of the working table, a new post on Elsewhere (by Louise)

 Our collage, Underneath Soane's 'star-fish' ceiling, the library at No. 12 proved anything but quiet, on the cover of The La Trobe Journal, No. 95, March 2015