Zines 2012–2014
Savaged Relatives Pocket Edition, 2014
In your dreams, blurred and distinct, 2014
Four Rainbow Lorikeets (Trichoglossus haematodus)..., 2014
Misreadings, 2014
A Postcard as Measuring Device, 2013
The Glimmer of Armour, 2012
It's the dusty hour, 2012
A beating of wings (I), 2012
A constellation of zines, 2014–2015
A Catalogue of Bodies, Second Edition, 2014
Nuit Noir, 2014
Twelve months, an explorer, 2014
A Catalogue of Bodies, First Edition, 2013
Beneath the screen of closed eyelids, 2013
Genova to Johannesburg (Johannesburg to Genova), 2013
A beating of wings (II), 2012
Conveyed by the Postal System, 2012
Under the water, with a two-colour eye-glass, something similar, 2014
The Suggestion of Opulence, 2014
As if from the clouds, restless, 2014
An order of zines, 2013
38.1500° S, 144.3500° E, 2013
Lunch, 2013
Collection, 2012
Whose lights were now seen glittering, 2012
Related
Postcards from other worlds, Melissa Caden, The eloquent page: The National Library of Australia's fringe publishing blog
Interview with Gracia Haby, Matthew Asprey, Honey for the Bears
Artists, Books and Interviews #1: Gracia & Louise, Sara Bowen, Book Art Object
Zines: A Labour of love, Thereza Rowe, Doodlers Anonymous
Zine Scene: The creative world of DIY publishing, Millie Ross, Yen magazine
Sticky Institute's Secrets of the Photocopier, a collection of our zines on display, Platform Artists Group & Sticky Institute, with Ravening/Ravelling/Revelling, a written piece on zines by Jurate Sasnaitis, Book Arts newsletter
![Travelling tonight through music. Travelling to places unexpected, I expect. #Travelling thanks to the MCO’s (@melbchamberorch) night of Mozart, Kraus, and Hayden. Warm me with a lively Hungarian rondo (Haydn), and comfort me with a "beautiful melody being passed around the different voices …. [in] the Andantino con moto movement …. scored only for strings” (Mozart, programme notes, David Forrest). Travelling and conversing tonight, through #music.
It is a certain manner of acting upon one another, of giving mutual and instantaneous delight, of speaking the moment one thinks, of acquiring immediate self-enjoyment, of receiving applause without labour, of displaying the understanding in all its shades by accent, gesture, look; of eliciting; in short, at will the electric sparks, which relieve some of the excess of their vivacity, and serve to awaken others out of a state of painful apathy.
— Madame de Staël comparing conversation to music in 'The Spirit of Conversation’ (1813)
KRAUS Olympie: Overture
MOZART String Quartet No 7 (arr string orchestra)
HAYDN Piano Concerto No 11
MOZART Piano Concerto No 6
Symphony No 30 (Image credit: Haydn and companions perform a string quartet at the Esterhazy home, Hungary, circa 1780)
#MCO
#Kraus
#Haydn
#Mozart
#thisisthursday](https://static1.squarespace.com/static/512702e1e4b08376dc01a7bf/59018a2e6b8f5b87031359da/5b2b9d5252014929b65f94e9/1529584983741/)
![Walking through other people’s fictions (@sandrajuto at @lotsixtyonecoffee) and collections (@stedelijkmuseum), and noting how “through the positioning of the colours [new] meaning and the relationships between them [arise]. How does one shade of green or red become altered when it is placed next to a light beige, a dirty orange or even a dark black? Do the height and width of a colour field effect the perception of colour?” (‘Förg as a Colourist’)
#onfoot
#oudwest
#Amsterdam
#stedelijkmuseum
#dogsofinstagram](https://static1.squarespace.com/static/512702e1e4b08376dc01a7bf/59018a2e6b8f5b87031359da/5b1bd19e1c8655f9f129ed31/1528549806063/)
