THE REMAKING OF THINGS
LIMITED EDITION, ARTISTS' BOOKS Gracia Louise LIMITED EDITION, ARTISTS' BOOKS Gracia Louise

THE REMAKING OF THINGS

What if you could grow a forest from a collection. What if you could weave a floor to ceiling landscape from E. G. Adamson’s Snow coral (1930s–1940s) and Louisa Anne Meredith’s Study for gum-flowers and ‘love’ (c. 1860). Slide Tom Roberts’s She-oak and sunlight (1889) alongside Tom Humphrey’s Summer walk (c. 1888), and glimpse Grace Cossington-Smith’s Bottlebrushes (1935) through the foliage.

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SOMETHING REVERBERATED
LIMITED EDITION, ARTISTS' BOOKS Gracia Louise LIMITED EDITION, ARTISTS' BOOKS Gracia Louise

SOMETHING REVERBERATED

There were once trees growing under the roads. There are still creeks flowing beneath the directional pathways we’ve imposed.

An artists’ book to take you within the forest, created especially for Biosphere.

Including
Biosphere — a sense of belonging catalogue essays by Felicity Spear and Penelope Gebhardt, 2021–2022

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PRATTLE, SCOOP, TREMBLING: A FLUTTER OF AUSTRALIAN BIRDS
UNIQUE STATE, ARTISTS' BOOKS Gracia Louise UNIQUE STATE, ARTISTS' BOOKS Gracia Louise

PRATTLE, SCOOP, TREMBLING: A FLUTTER OF AUSTRALIAN BIRDS

Whether knee-deep in carpet weave or native grass clump, this naturalist's companion is misleading, but its dedication, sincere. Created especially for and exhibited in its entirety as part of Birds: Flight paths in Australian Art at Mornington Peninsula Regional Gallery.

Including
Leah Muddle, True or False? Milly Sleeping: Quick Interview with Gracia Haby of Gracia & Louise, 2017

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CLOSER TO NATURAL
UNIQUE STATE, ARTISTS' BOOKS Gracia Louise UNIQUE STATE, ARTISTS' BOOKS Gracia Louise

CLOSER TO NATURAL

In continuation of a theme explored for Animal Instinct (2016), thirteen costumed Salvaged Relatives on cartes de visite have been paired with drawings of the same collage element in a new and arguably more natural setting.

Including
Printing the Page, State Library Victoria (2016)

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