DANCE TO BE SOUND. DANCE TO BE COLOUR.

 

Recently landed: Dance to be sound. Dance to be.

A new article on Marginalia takes you to The Australian Ballet’s contemporary triple bill, Instruments of Dance, drawn up especially for Fjord Review.

 
 
●
 

6th of October, 2022

 
 

Callum Linnane and Adam Elmes in Wayne McGregor’s Obsidian Tear (image credit: Jeff Busby)

 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
Previous
Previous

DANCES WITH GRAVITY

Next
Next

FORGED IN DANCE