Everything from exhibitions, artwork commissions, and varied projects.
Our work has been commissioned by:
Ace Hotel; The Australian Ballet; Australian Poetry; Australian Print Workshop; The Big Issue; Fjord Review; Genesis Baroque; Genevieve Lacey; Maroondah City Council; Melbourne Chamber Orchestra; Melbourne City of Literature; National Gallery of Victoria; State Library Victoria; and The World of Interiors.
We were commissioned to create a Memory Game for Mornington Peninsula Regional Gallery comprised of artworks from our three artists’ books Because I Like You (2016), Prattle, scoop, trembling: a flutter of Australian birds (2016), and A Flight of Twelve Southern Hemisphere Birds (2013).
We were commissioned to create artwork for Genevieve Lacey’s Bower, “a project inspired by bowerbirds’ obsessive collecting habits, and their ability to build magical architecture out of fragments”.
Pollinator outline, for the 2020 RMIT Print Exchange Portfolio
Live in-studio artist visit, in conversation with Jess Cole, Assistant Curator, Prints and Drawings, at NGV
Including “I was curious and amused — a night parrot, a marmoset and a bilby each side-eyed me back from three different zines” Zoë Sadokierski, EXTRA!EXTRA!, 2020
This body of prints was produced with APW Printers at Australian Print Workshop, Melbourne, as part of Australian Print Workshop’s French Connections project curated by APW Director Anne Virgo OAM.
Including, Dark Horse: Wild Beasts and Curious Creatures, The Art Gallery of Ballarat, 2020 The Natural World, Australian Print Workshop, 2021 Call and response, The Art Gallery of Ballarat, 2022 Significant Others, The Art Gallery of Ballarat, 2023–2024
Things evolve, it’s what they do. True to the word’s Latin origin, they roll. As such, our 15-metre wall collage, Ripples in the Open, exhibited at ArtSpace Realm, Victoria (2018–2019) in one ‘finished’ guise, has grown into It came like light out of the walls, a series of collaged drawings for West Gallery Thebarton, South Australia.
A selection of our collages and drawings created in response to the festival's theme Text and Texture, exhibited as part of BETWIXT, curated by Carmen Reid, at ACMI Mediatheque, at ACMI.
In the windows of Obus Clothing and Collected Works bookstore as part of BLINDSIDE’s experimental art festival of chance encounters, immersive soundscapes and intimate creative exchanges.
Cover image for the Collaboration issue of the Print Council of Australia’s Imprint magazine (Autumn 2015, Volume 50, Number 1) featuring a Giant anteater (Myrmecophaga tridactyla) in John Soane’s courtyard.
Including Dr Olivia Meehan, The Poetic Partnership: the work of Gracia Haby and Louise Jennison, 2015
