THE TOKYO BALLET & THE AUSTRALIAN BALLET

DANCE
Written by Gracia Haby
 

Recently landed:
Nocturnal poetry (Giselle)
Brilliant cut (Jewels)

From graveside to St. Petersburg by means of Piotr Ilyich Tschaikovsky’s Symphony No. 3 in D major, discover two new articles on Marginalia and revisit The Tokyo Ballet’s Giselle and The Australian Ballet’s Balanchine Jewels, at the State Theatre, drawn up, as ever, especially for Fjord Review.

 
 
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21st of July, 2023

 
 

Dancers of The Tokyo Ballet in Giselle (image credit: Kate Longley)
The Australian Ballet’s Joseph Caley and Benedicte Bemet in George Balanchine’s Jewels (image credit: Rainee Lantry)

 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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THE TOKYO BALLET’S GISELLE