OÙ EST LE METRO?

 

Recently landed: : Où est le metro?

A new article on Marginalia Rewinds to Paris, 2019.

 
 
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20th of October, 2019

 
 

By way of a cat with ears perhaps flattened from or ready to catch incoming letters, and Rudolf on the wall, Degas’ “unreal colours, where all that matters is the visual liveliness, harmony or stridency. Casting property to the winds, he strikes the most unusual and daring chords.... that ‘pollen of colours’ (Lucie Cousturier), Degas found the ideal material and technique to express the wondrous aspect of the ballet, ‘this art in which the human body becomes the instrument of a magical celebration’”.

 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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OF PINK MARBLE AND PORPHYRY