A SERIES OF PIXELS

DANCE
Written by Gracia Haby
 

Recently landed: A series of pixels

A new article on Marginalia takes a look at Jill Ogai’s Forma, for The Australian Ballet’s Bodytorque.Digital, drawn up especially for Fjord Review.

 
 
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25th of October, 2020

 
 

Forma is the third of five new works from The Australian Ballet’s choreographic development program Bodytorque.Digital, choreographed and performed by Soloist Jill Ogai at her home.

 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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