FROM SYDNEY DANCE COMPANY TO ROSALIND CRISP

 

Recently landed:
Our “response-ability”, our human nature (Ascent)
What can dance do? (The real time it takes…)

Dive into two new articles on Marginalia and revisit Sydney Dance Company’s Ascent, and Rosalind Crisp’s The real time it takes… at Dancehouse, drawn up, as ever, especially for Fjord Review.

 
 
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21st of September, 2023

 
 

Sydney Dance Company in I Am-Ness by Rafael Bonachela (image credit: Pedro Greig), and Rosalind Crisp (image credit: Frank Post)

 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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SEPTEMBER! SPROUT!