SILVERED

 

Recently landed: Silvered

Wrote Nicholas Caire (1837–1918) of the Fairy scene at the Landslip, Black’s Spur, c. 1878, we have since reprinted on silvered collage shards:
“The music of the gentle zephyrs playing among the great giant gums, combined with bird sonnets and other multifarious sounds of animal and insect life in the great forest, impressed one vividly with the feeling that we were within the precincts of fairy land. Veritable fairy glades, the windy fern-bound, and the innumerable fern gullies … is calculated to give the visitor, on his first impression a feeling of ecstatic bewilderment.”

And “ecstatic bewilderment” upon “first impression”, and lasting, very much suited this final stage of The remaking of things.

Continuing reading on Marginalia.

 
 
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2nd of March, 2023

 
 

After a brief stay, it was time for Oscar to join the colony once more. He’ll be somewhere overhead, feasting on figs and eucalypts in flower. And the last, shiny component of our piece, The remaking of things, is complete!

 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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SMALL, ARBOREAL, NOCTURNAL, OMNIVOROUS

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THE MOUNTAINS ARE CALLING…