FROM SWAN LAKE TO IN CONVERSATION WITH ROSALIND CRISP

DANCE
Written by Gracia Haby
 

Recently landed:
A lamentation of swans (Swan Lake)
And anyway, I can’t stop dancing (Rosalind Crisp)

Dive into two new articles on Marginalia and revisit The Australian Ballet’s Swan Lake, and join a conversation with Rosalind Crisp in the Dancehouse foyer, drawn up, as ever, especially for Fjord Review.

 
 
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6th of October, 2023

 
 

The Australian Ballet’s Benedicte Bemet as Odiette n Swan Lake (image credit: Kate Longley)

 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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