LIMITED EDITION, ARTISTS' BOOKS Gracia Haby LIMITED EDITION, ARTISTS' BOOKS Gracia Haby

THE REMAKING OF THINGS

What if you could grow a forest from a collection. What if you could weave a floor to ceiling landscape from E. G. Adamson’s Snow coral (1930s–1940s) and Louisa Anne Meredith’s Study for gum-flowers and ‘love’ (c. 1860). Slide Tom Roberts’s She-oak and sunlight (1889) alongside Tom Humphrey’s Summer walk (c. 1888), and glimpse Grace Cossington-Smith’s Bottlebrushes (1935) through the foliage.

Including
Erratic Temporality, Sophie Cunningham, The Melbourne Now broadsheet, 2023

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WORKS, SMALL PROJECTS Gracia Haby WORKS, SMALL PROJECTS Gracia Haby

IN LOCKDOWN PROJECTS, 2020

Pollinator outline, for the 2020 RMIT Print Exchange Portfolio

Live in-studio artist visit, in conversation with Jess Cole, Assistant Curator, Prints and Drawings, at NGV

Including
“I was curious and amused — a night parrot, a marmoset and a bilby each side-eyed me back from three different zines”
Zoë Sadokierski, EXTRA!EXTRA!, 2020

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LIMITED EDITION, ARTISTS' BOOKS Gracia Haby LIMITED EDITION, ARTISTS' BOOKS Gracia Haby

A HEMLINE OF SKY, FOREST, AND WATER THROUGH SMOKE

A Hemline of Sky Through Smoke

A Hemline of Forest Through Smoke


A Hemline of Water Through Smoke

Including
‘The Living and the Dead: artists’ books, absence and presence’, Sarah Bodman, Wrocław University Press, 2026

B is for Book
, Frankeinstein Press exhibition, Bristol, UK, 2024

The Mountains Are Calling… , Bower Ashton Library, UWE Bristol, UK, 2023

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UNIQUE STATE, ARTISTS' BOOKS Gracia Haby UNIQUE STATE, ARTISTS' BOOKS Gracia Haby

CLOSER TO NATURAL

In continuation of a theme explored for Animal Instinct (2016), thirteen costumed Salvaged Relatives on cartes de visite have been paired with drawings of the same collage element in a new and arguably more natural setting.

Including
Printing the Page, State Library Victoria (2016)

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