“MARINE STILL LIFE”, ANYTHING BUT

 

Recently landed: “Marine still life”, anything but

A new article on Marginalia takes a look at a catalogue essay in response to Rockpool, drawn up especially for Scarlet Sykes Hesterman, and Heather Hesterman and Sarah Tomasetti, Peradam Projects.

You have to squat to find yourself within Rockpool. Altering your form to fit within. Feel yourself a Swift-footed crab, your carapace now 8cm across, scuttling across the rocks in search of shelter or a meal of molluscs. Amidst the luminosity, sight Dead man’s fingers, an alga also known as a poetry of felty fingers, stag seaweed, green sponge, green fleece, and oyster thief; take your pick. To your left, anemones make clones of themselves, as Elephant snails, those large false limpets, hide in wait of nightfall. The tide is low, why not give yourself the tube-feet of a starfish.

 
 
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2nd of May, 2021

 
 

Field Notes sent from my iPhone
Recorded 10.30am
Friday 23rd April, 2021

 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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