FROM EXPLICIT CONTENTS TO WEATHERING

 

Recently landed:
“The skin, like the theatre, is porous” (Explicit Contents)
States of weathering (Weathering)

From Rhiannon Newton’s Explicit Contents to Emily Bowman and Joey Lehrer’s Weathering, dive into two new articles on Marginalia, drawn up especially for Fjord Review.

You may have noticed a few changes on Marginalia since your last visit. In the archives (by category, in the navigation) the Dance archives continue to spin and grow.

 
 
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19th of September, 2022

 
 

Emily Bowman and Joey Lehrer in Weathering (image credit: Ian Ferguson)

 
 
Gracia Haby

I have been collaborating with Louise Jennison since 1999, making artists’ books, collages, large-scale installations, prints, drawings, zines, and various tales. Besotted still, it appears, with paper for its adaptable, concealable, revealing nature, we use an armoury of play, the poetic and familiar too, with the intention of luring you into our A(rtists’ books) to Z(ines).

As artists and wildlife carers, our practice frequently concerns the natural world, addressing themes of conservation and biodiversity. Our home-based studio is also home to our wildlife shelter, Tiny but Wild.

I collage with words about dance for Fjord Review.

http://gracialouise.com
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FORGED IN DANCE

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