FOLD IN, OVER

DANCE

15 Sept

Recently landed: Fold In, Over

Gracia’s written response to Weathering by Emily Bowman and Joey Lehrer especially for Fjord Review.

Last night, in the Upstairs Studio of Dancehouse, Emily Bowman and Joey Lehrer performing as [ two for now ] became an ocean conveyor belt in Weathering. ‘You be the warm shallow current, and I’ll be the cold and salty deep current,’ Bowman might have said to Lehrer before they ran in a clockwise direction. ‘Together, we’ll feel what it is like to be an ocean gyre in the Northern Hemisphere. We’ll run in a spiral like the currents formed by wind patterns and forces created by the Earth in rotation.’ Together, a thermohaline circulation was revealed. Together, [ two for now ] are surveying “the interdependence of nature and human relationships in the emergent and continual process of becoming.”[i]

Weathering wears away at the exposed surfaces of rocks and minerals on the Earth’s surface over time. And in Weathering, Bowman and Lehrer became geoscience in action, time-worn by various agents from acid to water. The same way no rock is hard enough to resist the forces of ice, plants, animals, and changes in temperature, Bowman and Lehrer, in multiple formations, revealed how vulnerable a rock is to weathering and erosion. The duration of the performance, akin to the length of exposure, contributed to vulnerable states of weathering in what Bowman and Lehrer describe as their shared enthusiasm for not knowing what might happen next as a moment unfolds, as a force is felt.

In costumes by Gav Barbey, their limbs were softly encased in what could have been tiny bits of weathered minerals mixed with plants, fungi, and other organisms. True to definition, where an individual type of weathered rock may produce arid soil, side by side, Bowman and Lehrer, were rich in mineral diversity, “whilst considering our interconnectedness with one another, the natural world and the passage of time.[ii] Together, in harmonious collaboration, mutually interlocked, they created something not possible without the other. From their Acknowledgement of Traditional Owners, on whose unceded lands we met upon, to final bow, they finished each other’s sentences and grew lichen over each other’s branches. Standing back to back, each with a head resting upon the other one’s shoulder, they became the complex interweaving of the natural world. As they stepped further away from one another, but with their heads still resting upon each other’s shoulders, their collective shadow made the silhouette of an eagle in flight. The outstretched wings of which were drawn from their angled torsos as they leant backwards into each other. The extended, dangly legs drawn by Bowman’s right arm and Lehrer’s left. A transformative moment, seeing the familiar in the unfamiliar. Sky where previously there was a stage floor. A ‘master of skies’, Bujil, where there had been two interflowing human forms in close proximity. A shift in perspective.

[i] [ two for now ], Emily Bowman and Joey Lehrer, Weathering Program Notes, Season Two, Dancehouse, https://www.dancehouse.com.au/wp-content/uploads/2022/09/S0222-program-notes_V1.pdf, accessed 9th September, 2022.

[ii] Emily Bowman and Joey Lehrer, Weathering Program Notes, Season Two, Dancehouse.