SIX ZINES, 2021–2022
Rakali Grotto
Roosting on a concealed tree branch
Tiny but huge
Went out for a walk
Bats aren’t scary
Something reverberated
MORNINGTON PENINSULA REGIONAL GALLERY MEMORY GAME
We were commissioned to create a Memory Game for Mornington Peninsula Regional Gallery comprised of artworks from our three artists’ books Because I Like You (2016), Prattle, scoop, trembling: a flutter of Australian birds (2016), and A Flight of Twelve Southern Hemisphere Birds (2013).
SOMETHING REVERBERATED
There were once trees growing under the roads. There are still creeks flowing beneath the directional pathways we’ve imposed.
An artists’ book to take you within the forest, created especially for Biosphere.
Including
Biosphere — a sense of belonging catalogue essays by Felicity Spear and Penelope Gebhardt, 2021–2022
Inspired by the Collection, as part of World of the Book, Dome Galleries, State Library Victoria, 2024–2025
WITH WINGS OUTSTRETCHED AND QUIVERING
Empty the room. View it from the outside in. Brick by brick. Twig by twig. At the beginning: what is there?
An artists’ book featuring variations of the original Bowerbird collages we created especially for Genevieve Lacey’s Bower.
Including
Inspired by the Collection, as part of World of the Book, Dome Galleries, State Library Victoria, 2024–2025
Paper Universe: The book as art, Galleries, State Library of NSW, 2025–2026
IN LOCKDOWN PROJECTS, 2021
Melbourne City of Literature Office: Hooded plover, Wildlife Postcards
Melbourne City of Literature Office: writers in residence, one-day, social media takeover
The Overwintering Project: With a slow and deliberate wing beat
Including
Q & A for RMIT University School of Art student Kasandra Hendy, 2022
BOWER
We were commissioned to create artwork for Genevieve Lacey’s Bower, “a project inspired by bowerbirds’ obsessive collecting habits, and their ability to build magical architecture out of fragments”.
DIP AND BOB
Dive into a 620cm long digital collage with an original watercolour cover, created especially for the NGV Melbourne Art Book Fair 2021.
COMPILATION BOX SETS, 2013–2021
Three years, flew: a compilation box of zines, 2019–2021
Nineteen: a compilation box of zines, 2017–2018
Twenty-four: a compilation box of zines, 2015–2016
A constellation of zines, 2014–2015
An order of zines, 2013
TWO ZINES, 2021
A pair of zines, What if we saw, while out walking (I)
and (II), for you to download, print, splice, fold, share, especially for the 2021 Sticky Institute Festival of the Photocopier.
IN LOCKDOWN PROJECTS, 2020
Pollinator outline, for the 2020 RMIT Print Exchange Portfolio
Live in-studio artist visit, in conversation with Jess Cole, Assistant Curator, Prints and Drawings, at NGV
Including
“I was curious and amused — a night parrot, a marmoset and a bilby each side-eyed me back from three different zines”
Zoë Sadokierski, EXTRA!EXTRA!, 2020
A HEMLINE OF SKY, FOREST, AND WATER THROUGH SMOKE
A Hemline of Sky Through Smoke
A Hemline of Forest Through Smoke
A Hemline of Water Through Smoke
Including
B is for Book, Frankeinstein Press exhibition, Bristol, UK
REMOTE RESIDENCY 2020, UWE, BRISTOL, UK
A pair of zines made-in-iso for you to download, print, fold, splice, share, to accompany a display of our zines and artists’ books in the cases of the Bower Ashton Library, Bristol, UK.
In the MET there is a “Pit from a Balanites tree with a hole caused by a rodent”, ca. 2381–2323 B.C., Old Kingdom, on view in Gallery 100.
We have been looking at you the wrong way round. We still do. To the gardeners of the sky.
THE BIG ISSUE, 2017–2019
Through a forest
Memory
The year that was
In hand, in mind
In the garden with you
FOUR ZINES, 2019–2020
Rewild
Museum Sketches: Your Specimens Sing an Operatic Chorus
Please, I’m looking for (whatever you are looking for)
Paint out
BLACK-THROATED FINCH PROJECT
A zine, Poephila cincta, 2020, from twenty original postcard collages created as our contribution to the Black-throated Finch Project, 2019.
A PAIR OF FOLDED ZINES, 2019
Four Museum Drawings
Five views of a creeping Honey possum (Tarisipes rostratus)
KEEP A BEADY EYE ON
For the Museum of Aphorisms and Platitudes, we created a real but not real 24-page catalogue of Through a glass eye.
THROUGH A GLASS EYE
This body of prints was produced with APW Printers at Australian Print Workshop, Melbourne, as part of Australian Print Workshop’s French Connections project curated by APW Director Anne Virgo OAM.
Including,
Dark Horse: Wild Beasts and Curious Creatures, The Art Gallery of Ballarat, 2020
The Natural World, Australian Print Workshop, 2021
Call and response, The Art Gallery of Ballarat, 2022
Significant Others, The Art Gallery of Ballarat, 2023–2024
Terrain, Australian Print Workshop, 2024–2025
IT CAME LIKE LIGHT OUT OF THE WALLS
Things evolve, it’s what they do. True to the word’s Latin origin, they roll. As such, our 15-metre wall collage, Ripples in the Open, exhibited at ArtSpace Realm, Victoria (2018–2019) in one ‘finished’ guise, has grown into It came like light out of the walls, a series of collaged drawings for West Gallery Thebarton, South Australia.
A PAIR OF RIPPLES ZINES, 2019
Animate. Animated. Animal.
Ripples in the Open