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We decided early on in our collaboration, through an organic process, not to polish the same skills. We naturally lent towards different things and now bring those different things together to make work not possible without the other. Working this way, a third work is made that belongs to us both. A work that we now share with you.

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For us, above all, it is not the medium that is always of greatest import, but the message. And so, we use found imagery and acquired scenery in our artists’ books, collages, prints, and more recently animated collages and installations, alongside our own drawings, for what they can enable us to say, and what we hope you might in turn feel. Though, of course, what you feel is entirely up to you, and to this end we favour open endings above all.

From the intimate to the epic in scale, you can see in our work what you will. You can make of our comprised scenarios what you will. You can see fragments of your very own self. You can see your own link with nature. You can see human nature reflected in the movements of the characters. You can see charm, absolute. Along the way, some people have seen our zines to be artists’ books, or our ‘this’ to be ‘that’, and as this is something beyond our control, we’re fine with that. Like anything, the closer you look, the more you see.

  • The remaking of things

    Commissioned by the National Gallery of Victoria (NGV) for Melbourne Now.

    Located on level two of The Ian Potter Centre: NGV Australia, our large-scale collage was drawn from 100 works in the NGV Collection. The scene depicted a pocket of restored eucalyptus forest habitat, with cyclic sound and lighting design signalling gradual transitions from morning to night and back again.

    On display from Friday 24th of March until Sunday 3rd of September, 2023.

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Where to now?